Contempt

More Bold! More Brazen! And Much, Much More Bardot!

Overview:

A French writer's marriage deteriorates while working on Fritz Lang's version of "The Odyssey", as his wife accuses him of using her to court favor with the film's brash American producer.

Released: 1963-10-29

Duration: 01:43:00

Genre: Drama, Romance

Keywords: Female Nudity, Gun, Typewriter, ...

Director: Jean-Luc Godard

Writer: Alberto Moravia, Jean-Luc Godard

Cast: Brigitte Bardot, Jean-Luc Godard, Fritz Lang, ...

Director: Jean-Luc Godard

Cast: Brigitte Bardot Jean-Luc Godard Fritz Lang Jack Palance Linda Veras Michel Piccoli Giorgia Moll Raoul Coutard

Genre: Drama Romance

Keywords: Female Nudity Gun Typewriter Meta Narrative Self Referential Unfaithful Wife Trilingual Swimming Pool Frenchman Abroad Apartment Bare Chested Male Italy Female Full Rear Nudity Film Within A Film Based On Novel Flashback Slapped In The Face Long Take Tracking Shot Marriage As Hell Selfishness Self Centeredness Postmodernism Death Of Wife Widower Hollywood Producer Contempt Director Cameo Selling Out Melodrama Trilingual Character Disillusionment Marital Quarrel Taxi Screen Test Petrol Pump Boat Kiss Jealousy Talking About Film Cheque Nudity Rome, Italy Female Frontal Nudity Playwright Scriptwriter Screening Room Skinny Dipping Female Topless Nudity Job Offer Cinecitta Film Studio Villa Quarrel Film Set Film Making Relationship Breakup Marital Breakup Reference To Pierre Corneille French New Wave American In Italy Taking A Bath Writer Director Doomed Romance Duality Alfa Romeo Spider Film Director Secretary Interpreter Fatal Car Crash Greek Tragedy Husband Wife Estrangement Reference To Homer Behind The Scenes Reference To The Iliad Marital Infidelity Husband Slaps Wife End Of A Marriage Reference To Nazi Germany Woman Wears A Wig Duplicity Broken Communication Nude Sunbathing Tableau Vivant Reference To Ulysses Business Wife Surprise Ending Reference To Joseph Goebbels Melodramatic Music Reference To Dean Martin Capri Italy Screenwriter Film Producer Filmmaking

Description

Paul Javal, a young French playwright who has found commercial success in Rome, accepts an offer from vulgar American producer Jeremy Prokosch to rework the script for German director Fritz Lang's screen adaptation of the Odyssey.

Paul's wife, Camille Javal, joins him on the first day of the project at Cinecittà. As the first discussions are completed, Prokosch invites the crew to join him at his villa, offering Camille a ride in his two-seat sportscar. Camille looks to Paul to decline the offer, but he submissively withdraws to follow by taxi, leaving Camille and Prokosch alone. Paul does not catch up with them until 30 minutes later, explaining that he was delayed by a traffic accident. Camille grows uneasy, secretly doubting his honesty and suspecting that he is using her to cement his ties with Prokosch. Her misgivings are heightened when she sees Paul grope Prokosch's secretary, Francesca. Back at their apartment, Paul and Camille discuss the subtle uneasiness that has come between them in the first few hours of the project, and Camille suddenly announces to her bewildered husband that she no longer loves him.

Hoping to rekindle Camille's love, Paul convinces her to accept Prokosch's invitation to join them for filming in Capri. Prokosch and Lang are locked in a conflict over the correct interpretation of Homer's work, an impasse exacerbated by the difficulty of communication between the German director, French script writer, and American producer. Francesca acts as interpreter, mediating all conversations. When Paul sides with Prokosch against Lang by suggesting that Odysseus actually left home because of his wife's infidelity, Camille's suspicions of her husband's servility are confirmed. She deliberately allows him to find her in Prokosch's embrace, and in the ensuing confrontation she declares that her respect for him has turned to contempt because he has bartered her to Prokosch. He denies this accusation, offering to sever his connection with the film and leave Capri; but she will not recant and leaves for Rome with the producer. After an auto crash in which Camille and Prokosch are killed, Paul prepares to leave Capri and return to the theater. Lang continues to work on the film.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

Contempt

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